THE SAME SHOT WITH THE REAL MANAN. Built from the keyed footage rather than generated: the black backdrop was keyed here by flooding from the frame edge, so his dark hair and black shoes survive intact, then graded warm and lifted toward the cream so he sits in the drawn world instead of on top of it. The generated frame beside it is still the reference for composition. Choose between them. ON THE SCENE AND BREAKDOWN PAGES ONLY, not on the front page storyboard: the generated version stands in there because it reads finished at a glance, and this one is the working material. HELD 3.9.2026. The frame it was the alternative to, 1-4-D-v3, went out of the grid, so it was falling directly after 1-6-v3 on the scene page and reading as a variant of it, which it is not. Moved in with the held frames.
