THE SAME SHOT WITH THE REAL MANAN. The runner behind him is not a new drawing, it is the previous shot zoomed in and faded back, so the push-in is continuous and the contrast falls as we move closer. Real keyed footage, graded to the paper. Choose between this and the generated one beside it. ON THE SCENE AND BREAKDOWN PAGES ONLY, not on the front page storyboard: the generated version stands in there because it reads finished at a glance, and this one is the working material. OUT OF THE GRID 3.9.2026, Baba. A DIFFERENT BOY. It sat at 1.12 on the front page between two shots of the reference boy from 1-6-v1, and read as a second child. One face, one man, and this is not him. Shot 1.12 is now empty and the inspection runs 1.10 wide, 1.11 close, 1.13 the dead leg through the glass. 1-4-C-v2 stays at 1.12b as working material; note that it is close to the same composition 1-5 had and its runner is still the sprint, so it needs the same treatment if it ever comes back into the order.
